The Dark Interval: Film Noir, Iconography, and Affect
Invoking key concepts from the philosophical writings of Gilles Deleuze and Giorgio Agamben, The Dark Interval examines a subtle but distinct iconography of passivity, stillness and profound self-affection that recurs across noir films of every era.
Padraic Killeen (National University of Ireland, Galway, Ireland)
- Bloomsbury Academic USA
- 280 pages
- United States
- Film theory & criticism